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| Born: October 21, 1955 Coronado, CA |
| Education |
| 1983 |
MFA, Painting, Mills College, Oakland, CA |
| 1978 |
BFA, Painting, California College of the Arts, Oakland, CA |
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| One-Person Exhibitions |
| 2007 |
Jamie Brunson: Arcadia,
Michael Rosenthal Contemporary Art, Redwood City, CA
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| 2005 |
San Francisco Museum of Modern Art Artist's Gallery, Fort Mason,
San Francisco, CA |
| 2004 |
Jamie Brunson: Flourish, Cline Fine Art, Scottsdale, AZ |
| 2003 |
Jamie Brunson: Flourish, Cline Fine Art, Santa Fe, NM |
| 2002 |
Jamie Brunson: New Paintings, Traywick Gallery, Berkeley, CA |
| 1999 |
Place/Memory/Process, Traywick Gallery, Berkeley, CA |
| 1998 |
Traveler, Traywick Gallery, Berkeley, CA (Catalogue) |
| 1996 |
Joan Roebuck Gallery, Lafayette, CA |
| 1995 |
Terrain Gallery, San Francisco, CA |
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San Francisco Museum of Modern Art Artist's Gallery, Fort Mason,
San Francisco, CA |
| 1992 |
Mincher/Wilcox Gallery, San Francisco, CA |
| 1989 |
Mincher/Wilcox Gallery, San Francisco, CA |
| 1987 |
Khiva Gallery, San Francisco, CA |
| 1986 |
Jamie Brunson: Emblematic Paintings, Plaza Gallery, Bank of
America World Headquarters, San Francisco, CA |
| 1985 |
Khiva Gallery, San Francisco, CA |
|
| Group Exhibitions |
| 2008 |
Patterns & Rhythms, Los Angeles Municipal Art Gallery, Los Angeles, CA |
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Flourish, Robischon Gallery, Denver, CO |
| 2007 |
CCA @ di Rosa Preserve: Celebrating the Centennial Anniversary of the California College of the Arts, di Rosa Preserve, Napa, CA
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Current: New Abstraction, Robischon Gallery, Denver, CO |
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30 x30, Robischon Gallery, Denver, CO |
| 2006 |
Virology, Lobot Gallery, Oakland, CA
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In the Viewing Room: Paintings by David Kroll, Christopher Pelley
and Jamie Brunson, Robischon Gallery, Denver, CO |
| 2005 |
Five, Emmanuel Gallery, Auraria Campus, Denver, CO
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Inside Out: Selections from the Permanent Collection,
San Jose Museum of Art, San Jose, CA |
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Neo Mod: Recent Northern California Abstraction, Monterey Museum
of Art, Monterey, CA |
| 2004 |
Neo Mod: Recent Northern California Abstraction, The Crocker Art Museum, Sacramento, CA (Catalogue) |
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It's About Time: Celebrating 35 Years, San Jose Museum of Art,
San Jose, CA (Catalogue) |
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Hidden Order: Pattern and Content in Contemporary Abstraction,
Oakland Art Gallery, Oakland, CA |
| 2003 |
Dichotomies, Robischon Gallery, Denver, CO |
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Travelers, Islip Art Museum, East Islip, NY |
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Visible Rythms, Koret Gallery, San Jose Museum of Art, San Jose, CA |
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Surface Tension, Western Gallery, Western Washington University,
Bellingham, WA |
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A to Z: Contemporary and Historical Works On Paper, Cline Fine Art,
Santa Fe, NM |
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New Year: Gallery Selections, R.B. Stevenson Gallery, San Diego, CA |
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A to Z: Contemporary and Historical Works on Paper, Cline Fine Art,
Santa Fe, NM
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New Year: Gallery Selections, R. B. Stevenson Gallery, San Diego, CA
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| 2002 |
Fifth Anniversary Exhibition, Traywick Gallery, Berkeley, CA |
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Being There: 45 Oakland Artists, The Oakland Museum, Oakland, CA |
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Surface Tension: Pattern & Ornament in ContemporaryPainting, Mills College Art Museum, Oakland, CA |
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Being There: Here, Oakland International Airport, Oakland, CA |
| 2001 |
Small Works 2001, Sonoma Museum of Visual Art, Santa Rosa, CA
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Art Takes: Contemporary Work by CCAC Alumni, Oakland International Airport, Oakland, CA
|
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Contemporary Pattern, The Mills Building Art Program, San Francisco, CA
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| 2000 |
Pregnant Pause, Traywick Gallery, Berkeley, CA |
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Yellow: The First Color, Bedford Gallery, Dean Lesher Regional Center for the Arts, Walnut Creek, CA
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| 1999 |
At the Millennium: Contemporary Painting from Northern California, Monterey Museum of Art, Monterey, CA |
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Recent Works by Alumni, Oliver Art Center, California College of Arts and Crafts,
Oakland, CA
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Shifting the Familiar, Robischon Gallery, Denver, CO |
| 1998 |
20th Anniversary Exhibition, San Francisco Museum of Modern Art Artists Gallery, Fort Mason, San Francisco, CA
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Revolver, Traywick Gallery, Berkeley, CA |
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444 Market Street, San Francisco, CA |
| 1997 |
Joan Roebuck Gallery, Lafayette, CA |
| 1996 |
Painting Is Not Dead, The Luggage Store Gallery, San Francisco, CA
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| 1995 |
Oscar Wilde: A Man of Great Importance, Terrain Gallery, San Francisco, CA
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Anonymous Arrangement, Richmond Art Center, Richmond, CA |
| 1994 |
Homage to the Bard, Terrain Gallery, San Francisco, CA |
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Brunson/Middlebrook/Long, Site Lines Gallery, James Irving Foundation,
San Francisco, CA
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Something In Common, Collector's Gallery, The Oakland Museum, CA
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| 1993 |
The Return of the Cadavre Exquis, The Drawing Center, New York, NY
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| 1992 |
Out of Bounds: The Word Becomes Art, Scottsdale Center for the Arts, Scottsdale, AZ |
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Working On Paper, San Francisco Museum of Modern Art Artist's Gallery, Fort Mason, San Francisco, CA |
| 1991 |
Do You Hear What I'm Saying? Transamerica Pyramid Gallery, Transamerica Corporation, San Francisco, CA
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conTEXTual, Zolla/Lieberman Gallery, Chicago, IL |
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Mincher/Wilcox Gallery, San Francisco, CA |
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Fired, SOMAR Cultural Center, San Francisco, CA |
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For Better or For Worse--Artist's Views on Romance, Monterey Museum of Art, Monterey, CA
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| 1990 |
Con Text, Richard Bennett Gallery, Los Angeles, CA |
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Lines of Force, Bayfront Gallery, Fort Mason, San Francisco, CA
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Faculty Exhibition, Academy of Art Gallery, San Francisco, CA |
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The Painted Word, Richmond Art Center, Richmond, CA |
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The Writing on the Wall, Downtown Gallery, California College of the Arts, Oakland, CA
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Truckee Meadows College Gallery, Reno, NV |
| 1989 |
Mincher/Wilcox Gallery, San Francisco, CA |
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Jamie Brunson/Carrie Lederer, Napa Valley College Gallery, Napa, CA
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Faculty Exhibition, Academy of Art Gallery, San Francisco, CA |
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Home/Homeless, Angels Gate Cultural Center, San Pedro, CA |
| 1988 |
Signs of the Times, Hewlett-Packard Corporate Headquarters, Palo Alto, CA
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Syntex Gallery, Syntex Corporation, Palo Alto, CA |
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Contention, New Langton Arts, San Francisco, CA |
| 1987 |
Faculty Exhibition, Academy of Art Gallery, San Francisco, CA |
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Mincher/Wilcox Gallery, San Francisco, CA |
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The Faculty Collects, University Art Gallery, California State University, Hayward, CA
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The Artist And The Myth, Monterey Museum of Art, Monterey, CA (Catalogue)
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Creating Symbols of Feminist Spirituality, Gallery Sanchez, San Francisco, CA |
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On The Horizon: Emerging In California, Fresno Art Center & Museum, Fresno, CA
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Alumnae Artists Invitational, Mills College Art Gallery, Oakland, CA |
| 1986 |
Khiva Gallery, San Francisco, CA |
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She, Berkeley Art Center, Berkeley, CA |
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The Critic As Artist, Creative Growth Gallery, Oakland, CA |
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Shelter, Richmond Art Center, Richmond, CA |
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Partners, Creative Growth Gallery, Oakland, CA |
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Toward The One: The Mystery of Sign, Lillian Paley Center For The Visual Arts, Oakland, CA
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| 1985 |
A Summer Place, Sarah Renschler Gallery, New York, NY |
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Signs & Symbols, Palo Alto Cultural Center, Palo Alto, CA |
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Pro-Arts Annual, Pro-Arts Gallery, Oakland, CA (Catalogue) |
| 1984 |
Paper/Fiber VII, The Arts Center, Iowa City, IA |
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31st Annual Exhibition, Richmond Art Center, Richmond, CA (Catalogue) |
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Braun/Brunson/Davis, Heller Gallery, Student Union, University of California, Berkeley, CA
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| 1983 |
California Mystique: Contemporary Women Artists, Julian McPhee Galerie,
Cal-Poly State University, San Luis Obispo, CA
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California Works Exposition, California State Fair, Sacramento, CA |
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Houses, University Art Gallery, California State University, Hayward, CA |
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| Commissions |
| Collection of the City of San Jose Public Art Program |
| Banana Republic, Embarcadero Center, San Francisco, CA |
| The MGM Grand Mansion, Las Vegas, NV |
| The Peninsula Hotel, New York City, NY |
| Western Asset, New York City, NY |
|
| Publications |
Reflections: The San Jose Museum of Art Permanent Collection, 2004, San Jose
Museum of Art, San Jose, CA |
New American Paintings 2000: Pacific Coast, Volume 31, The Open Studios Press,
Wellesley, MA |
New American Paintings 1997: Pacific Coast, Volume 13, The Open Studios Press,
Wellesley, MA |
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| Awards |
2005 James Irvine Foundation Honorary Fellowship, Djerassi Resident Artists Program,
Woodside, CA
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| Public and Corporate Collections |
| Aratex Corporation, USA |
| Crocker Art Museum, Sacramento, CA |
| Davenport Museum of Art, Davenport, IA |
| Di Rosa Preserve, Napa, CA |
| Embassy of the United States of America, Doha, Qatar |
| The Fairmont Hotel, Chicago, IL |
| Hewlett-Packard Corporation, USA |
| Intercontinental Miami Airport, Miami, FL |
| San Jose Museum of Art, San Jose, CA |
| The Westin Hotel, Pusan, Korea |
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| Bibliography |
Baker, Kenneth. Brunson in Redwood City.
SAN FRANCISCO CHRONICLE, Saturday, July 7, 2007, p. E1, E10 |
Baker, Kenneth. Oakland Gallery seeks abstraction's hidden order.
SAN FRANCISCO CHRONICLE, Saturday, August 28, 2004, p. E12
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Baker, Kenneth. Self-Consciousness and the Painted Word.
SAN FRANCISCO CHRONICLE, Saturday, March 25, 1989
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Baker, Kenneth. Jamie Brunson: Painting Signs of The Times.
SAN FRANCISCO CHRONICLE, Friday, June 6, l986
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Baker, Kenneth. Surprises In The Arts Festival Hodgepodge.
SAN FRANCISCO CHRONICLE, Thursday July 25, l985
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Beeler, Monique. Pattern Painting Gains Respect, Retrospective,
OAKLAND TRIBUNE, Preview, Friday, February 22, 2002, Preview-27
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Boettger, Suzaan. Thirty-first Annual, Richmond Art Center.
ARTFORUM, January 1985, pp. 96-9
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Bonetti, David. There is a 'There' at Oakland Show.,
SAN FRANCISCO CHRONICLE, March 27, 2002
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Bonetti, David. S.F. Art World Knows No Season.,
SAN FRANCISCO EXAMINER, June 25, 1991, p. C-1
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Chandler, Mary Voelz. Making all the parts fit, ROCKY MOUNTAIN NEWS,
May 29, 2008 |
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Chandler, Mary Voelz. Creating a flow, ROCKY MOUNTAIN NEWS,
March 30, 2007, p. 22
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Cohn, Abbey. Bedford Gallery Goes for the Gold With the Illuminating
Show 'Yellow' SAN FRANCISCO CHRONICLE, Contra Costa & Tri-Valley
Friday, February 18, 2000, p. CC
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Cohn, Terri. The Essence of Semiotic Discourse. ARTWEEK, March 12, 1988, p. 7
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| Cunniff, Thomas. Jamie Brunson, STRETCHER.org, November 2002 |
Curtis, Cathy. San Mateo Arts Council '83 Exhibit. ,
PENINSULA TIMES TRIBUNE, Sunday, May 15, 1983 |
Eggers, Dave. Writer's Block: Painting's Not Dead.,
SF WEEKLY, July 31-August 6, 1996, Volume 15, No. 25, p. 51
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Falaschi, Susan. 'Signs of the Times' Tells A Story.,
TOWN & COUNTRY ALMANAC, February, 1988
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Frank, Peter, ed. Dialogue: Jamie Brunson and Marian Galczenski.
VISIONS, Fall 1991, pp.14-21
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| Freedman, Marcy. Looking Back, SF WEEKLY, December 2-8, 1998, p. 26 |
Harrison, Helen A., Journeys That Bring Joy and Fear, THE NEW YORK TIMES,
Long Island Section,Sunday, November 2, 2003, p.8
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Jan, Alfred. San Francisco Reviews: Jamie Brunson.,
ARTSCRIBE, Summer 1987, p. 8
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Morch, Albert. We Are What We Live In..., SAN FRANCISCO EXAMINER,
Wednesday, June 18, 1986, p. E-4
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Morch, Albert. An Artful Endeavor., SAN FRANCISCO EXAMINER, Thursday,
July 25, l985
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Paglia, Michael. (April 26, 2007) Current/Laura fayer, DENVER WESTWORD.com [ article ]
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Powers, Victoria. Symbols of Emotion And Intellect. ARTWEEK, April 25, 1987, p. 3
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Roche, Harry. Critic's Choice: Jamie Brunson., SAN FRANCISCO BAY GUARDIAN,
Vol. 30, No. 3, October 18, 1995, p. 82
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Roche, Harry. Art and the Alphabet., SAN FRANCISCO BAY GUARDIAN,
August 15, 1990, p. 56
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Rothrock, Kate. Let There be Light., DIABLO ARTS MAGAZINE,
January-March, 2000, pp. 18-22
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Sherr, Apollinaire. Objects Lesson: Three Artists Enchanted by the Commonplace.,
EAST BAY EXPRESS, Nov. 27, 1998, p. 33
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Shere, Charles. Contrasting Art Shows In Oakland., OAKLAND TRIBUNE,
Thursday, January 1, l987, p. C-3
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Shere, Charles. Art Scene., OAKLAND TRIBUNE, Tuesday, March 18, 1986, p. C-6
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Siqueira, Ron. 'Houses' Open For Inspection., HAYWARD PIONEER, Tuesday,
November 15, 1983, p. 5
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Spector, Buzz. The Writing On The Wall., SHIFT 10, Vol. 4, No. 2, 1990, pp. 54-55
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Thomas, Sherry Lee. Signs of Intention and Meaning., ARTWEEK, April 1, 1989, p.5
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Thompson, Sandy. 'Surface Tension' at Mills College Art Museum.
ARTWEEK, Volume 33, April 2002, p. 18-19
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| Torphy, Will. Making Signs., ARTWEEK, January 17, 1987, p. 4 |
Van Proyen, Mark. Berkeley: Jamie Brunson at Traywick., ART IN AMERICA,
March 2000, No. 3, pp. 138-139
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Van Proyen, Mark. Between The Inside And The Outside.,
ARTWEEK, June 28, 1986, p. 1
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Van Proyen, Mark. Constellations of Symbols., ARTWEEK, January 26, 1985, p. 4
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| Watten, Barrett. The Writing on the Wall., ARTWEEK, July 5, 1990, p. 12 |
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| Gallery Representation |
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James Robischon, Director
Robischon Gallery
1740 Wazee Street
Denver, CO 80202
303-298-7788
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